{"id":14362,"date":"2025-05-23T17:00:08","date_gmt":"2025-05-23T08:00:08","guid":{"rendered":"http:\/\/gallery-yamahon.pro\/?p=14362"},"modified":"2025-05-23T17:02:27","modified_gmt":"2025-05-23T08:02:27","slug":"%e5%b1%95%e8%a6%a7%e4%bc%9a%ef%bd%9c%e4%ba%ac%e9%83%bd%e3%80%8c%e6%b0%b8%e6%9c%a8-%e5%8d%93-%e7%a1%9d%e5%ad%90%e5%b1%95%e3%80%8d%e9%96%8b%e5%82%ac%e3%81%ae%e3%81%8a%e7%9f%a5%e3%82%89%e3%81%9b%e3%80%82","status":"publish","type":"post","link":"https:\/\/gallery-yamahon.pro\/?p=14362","title":{"rendered":"\u5c55\u89a7\u4f1a\uff5c\u4eac\u90fd\u300c\u6c38\u6728 \u5353 \u785d\u5b50\u5c55\u300d\u958b\u50ac\u306e\u304a\u77e5\u3089\u305b\u3002"},"content":{"rendered":"\t\t
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\u6c38\u6728 \u5353 \u785d\u5b50\u5c55<\/span><\/h3>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u4f1a\u671f\uff5c6\u670827\u65e5(\u91d1) \u25b7 7\u67089\u65e5(\u6c34)<\/span>
\u958b\u5eca\u6642\u9593\uff5c11:00\uff5e18:30
<\/span>\u4f1a\u671f\u4e2d\u7121\u4f11
<\/span>\u5834\u6240\uff5cKyoto yamahon<\/a><\/span>
<\/span>\u4f5c\u5bb6\u5728\u5eca\u65e5\uff5c6\u670827\u65e5\uff08\u91d1\uff09<\/span><\/span><\/h5>
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No.217 Taku Eiki: Glass
June 27 (Fri) \u2013 July 9 (Wed), 2025
Open everyday during the exhibition
11:00 \u2013 18:30
MAP: Kyoto yamahon<\/a><\/span><\/h5>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\u5149\u3092\u900f\u304b\u3059\u3053\u3068\u3060\u3051\u3067\u306a\u304f\u3001\u5305\u307f\u3001\u6e5b\u3048\u308b\u3053\u3068\u3082\u307e\u305f\u3001\u30ac\u30e9\u30b9\u306e\u3042\u308a\u65b9\u306e\u3072\u3068\u3064\u304b\u3082\u3057\u308c\u307e\u305b\u3093\u3002\u6c38\u6728\u5353\u306e\u5668\u306f\u3001\u7aef\u6b63\u3067\u3001\u3069\u3053\u304b\u9759\u8b10\u306a\u4f47\u307e\u3044\u3092\u3082\u3063\u3066\u3044\u307e\u3059\u3002\u78ba\u304b\u306a\u8f2a\u90ed\u3092\u5099\u3048\u306a\u304c\u3089\u3082\u3001\u3069\u3053\u304b\u4f59\u767d\u3092\u6b8b\u3057\u3066\u3044\u3066\u624b\u306b\u53d6\u308b\u4eba\u306e\u6c17\u914d\u3084\u6642\u9593\u306e\u6d41\u308c\u3068\u3068\u3082\u306b\u3001\u5c11\u3057\u305a\u3064\u305d\u306e\u8868\u60c5\u3092\u6df1\u3081\u3066\u3044\u304f\u3002\u4f7f\u3046\u3053\u3068\u306b\u3088\u3063\u3066\u5b8c\u6210\u306b\u8fd1\u3065\u304f\u3001\u305d\u3093\u306a\u5668\u305f\u3061\u3067\u3059\u3002<\/span>

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\u305d\u3093\u306a \u306a\u306b\u304b\u3068\u3060\u308c\u304b \u3092\u3064\u306a\u3050
\u7070\u8272\u306e\u3088\u3046\u306a \u3042\u308f\u3044\u306a\u308b\u9053\u5177 \u3092\u307c\u304f\u306f\u4f5c\u308a\u305f\u3044<\/span>

\u4eac\u90fd\u3084\u307e\u307b\u3093\u3067\u521d\u500b\u5c55\u3068\u306a\u308b\u672c\u5c55\u3067\u306f\u3001\u5b9a\u756a\u306e\u30af\u30ea\u30a2\u30fb\u30a2\u30f3\u30d0\u30fc\u30fb\u30b0\u30ec\u30fc\u306b\u52a0\u3048\u3001\u5c55\u793a\u7279\u5225\u8272\u306e\u9ed2\u3001\u305d\u3057\u3066\u65b0\u4f5c\u3082\u304a\u62ab\u9732\u76ee\u3044\u305f\u3057\u307e\u3059\u3002\u7aef\u6b63\u3067\u304a\u304a\u3089\u304b\u306a\u5668\u306e\u6570\u3005\u3092\u3001\u3069\u3046\u305e\u3054\u9ad8\u89a7\u304f\u3060\u3055\u3044\u3002<\/span><\/p>

\u00a0<\/p>

Not only transmitting light, but also enclosing and containing it\u2014these too may be ways that glass expresses itself. The glassware of Taku Eiki possesses a quiet grace and a refined stillness. Though clearly defined in form, each piece leaves space\u2014an openness that allows its expression to deepen gradually with the presence of its user and the passage of time. These are vessels that move closer to completion through use.<\/span>

Merely being a vessel
The glassware I make is nothing more, nothing less
There is something to be held, and someone to use it
I want to create a vessel\u2014a subtle, gray-toned tool\u2014that connects that something and that someone
<\/span>
This exhibition, his first solo show at Kyoto Yamahon, features not only his staple colors\u2014clear, amber, and gray\u2014but also special pieces in black created specifically for the show, along with new works. We warmly invite you to view these composed yet generous vessels.
<\/span><\/p>

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\u6c38\u6728\u5353\u3000Taku Eiki<\/span><\/strong>

1979\u3000\u795e\u5948\u5ddd\u770c\u85e4\u6ca2\u5e02\u751f\u307e\u308c 2002 \u6771\u4eac\u30ac\u30e9\u30b9\u5de5\u82b8\u7814\u7a76\u6240\u7dcf\u5408\u57fa\u790e\u79d1\u7d42\u4e86
2005\u3000\u7b2c2\u56de\u73fe\u4ee3\u30ac\u30e9\u30b9\u5927\u8cde\u5c55\u5bcc\u5c71 \u5165\u9078
2006\u3000New Glass Review 27(\u30a2\u30e1\u30ea\u30ab) \u5165\u9078
\u591a\u6469\u7f8e\u8853\u5927\u5b66\u5de5\u82b8\u5b66\u79d1\u30ac\u30e9\u30b9\u30d7\u30ed\u30b0\u30e9\u30e0\u5352\u696d
2007\u3000\u3042\u3065\u307f\u91ce\u30ac\u30e9\u30b9\u5de5\u623f\u5728\u7c4d
2012\u3000\u3042\u3065\u307f\u91ce\u30ac\u30e9\u30b9\u5de5\u623f\u5352\u623f
\u73fe\u5728\u3001\u9577\u91ce\u770c\u677e\u672c\u5e02\u306eRITOGLASS\u306b\u3066\u30ac\u30e9\u30b9\u88fd\u4f5c\u4e2d<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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